Updates

The Joy of Working with Church Choirs

Last spring, I was commissioned by the choir at Parkview United Church of Christ, and this month they enthusiastically premiered my new piece When We Sing. I was enamored by the respect and sense of community there, and was impressed that this small church makes music a priority and fosters new work. This experience gave me a chance to reflect on how meaningful music-making is in worship settings. On those rare moments when you get to sit back and listen to a piece you’ve written come to life, you want to stop and savor it.

When I think about the difference between working with a church choir rather than a professional choir, I realize that any choir volunteer is doing it for the sheer love of singing, and that is special. In the case of a church choir member, they are also lifting their voice in praise. I appreciate the humility and selflessness that come with that. I lead my choir at First Presbyterian Church in South St. Paul, MN (where I’ve been for 30 years now!), so I understand very well the sense of community that is fostered in church choirs. I love giving them a mix of known and loved pieces, and new pieces that can challenge and inspire them to new heights.

The values of humility, courage and commitment come to mind as I reflect on my life in church music—it takes a lot of all of these to rehearse and sing week after week. Most church choirs sing more in a year than any student sings over their entire high school career—that takes dedication! I do my best to take those values into other areas of my life.

My compositional voice has undeniably been influenced by my time writing for and conducting church choirs. All in all, I want the music and words to connect with singers and community in a personal way. How does it make them feel when they sing it? Is it accessible to a wide range of voices? Is it relatable?

I want to keep growing my music for worship and hope to serve many more congregations with new songs to sing, new connections to be made.

Premiere of co-commissioned cantata “To Know the Path” with Border CrosSing

In February, Border CrosSing premiered my new multi-movement choral work alongside a new work by Nico Gutiérrez, both commissioned as a response to the still ongoing humanitarian disaster at the US-Mexico border, the widespread media sensationalization of a “migrant caravan” for political gain, and the illegal denial of asylum status to refugees. Scored for SATB choir with a modest chamber instrumentation of flute, bassoon, cello and percussion, this 30 minute cantata is structured around the canonical hours of the day that stem from Jewish prayer traditions. Each movement follows the path of the sun throughout the day starting before dawn when it is still dark (Matins) and progressing to after it has set and is dark again (Compline). I look forward to bringing “To Know the Path” to more singing communities!

The piece explores themes of resilience, community and loss and it’s unlike any other cantata I’ve ever done before.

Natalia Romero Arbeláez (Singer / Music Educator)
Listen to the opening by clicking the image above.

“…integrally and holistically, the piece is built on both awareness and compassion, and fosters that in the listener, as one experiences a kaleidoscope of images from people all over the world progressing through a day of concentrated, positive devotion.”

Jake Endres (Singer / Actor / Music Director / Composer)

MOSAIK–41 Statements about the Corona Time

Is art silent in times of crisis? No! The exquisite German vocal quintet Calmus asked composers from around the world to write a musical miniature about this challenging time.
Here is what they created… Check out www.calmus-mosaik.de to learn more.